ON THIS DAY IN OCCULT HISTORY
June 29
The Heretic: Thomas Cromwell's Act of Attainder
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On this date in 1540, the English Parliament passed a Bill of Attainder against Thomas
Cromwell, Earl of Essex—condemning the most powerful commoner in England to
death without the formality of a trial, on charges that included corruption,
treason, and, perhaps most strikingly of all, heresy. The Latin entry in the House
of Lords Journal records it plainly: “Billa Attincture Thome Cromwell, Comitis
Essex, de Crimine Heresis et Lese Majestatis.” Heresy and lèse-majesté. The
crime against God, and the crime against the king. Both leveled against the
very man who had spent the previous decade deciding, with terrifying authority,
exactly what counted as either.
There
is a bitter, almost theatrical irony in this charge, and it is worth sitting
with before we get to the man’s final weeks in the Tower. Thomas Cromwell had
built his entire career on identifying, prosecuting, and destroying what he and
his king deemed heretical, idolatrous, and superstitious. He tore down shrines
that had stood for centuries. He emptied the coffers of relics he judged
fraudulent. He sent men to the scaffold and the stake for believing the wrong
things about the Eucharist. And on July 28, 1540—the same day Henry VIII
married his fifth wife, Catherine Howard—Cromwell knelt on Tower Hill and was
beheaded for, among other things, being precisely what he had spent his career
hunting in others.
The Architect
As
Henry VIII’s chief minister and the Crown’s Vicegerent in Spirituals—effectively the
king’s deputy over the entire English church—Cromwell orchestrated the
Dissolution of the Monasteries between 1536 and 1540: the systematic closure,
plundering, and destruction of roughly eight hundred monasteries, priories, and
religious shrines across the country.
This
was not simply an act of royal greed, though the Crown profited enormously—pure
gold alone seized from the shrines totaled over fourteen thousand ounces, with
silver gilt and plain silver running into the hundreds of thousands of ounces
beyond that. It was explicitly framed, in the official language of Cromwell’s
own commissioners, as a war on “superstition.” Pilgrimage sites that had drawn
the faithful for centuries—Glastonbury, Walsingham, Bury St Edmunds,
Shaftesbury—were investigated, their relics seized, their miracles debunked
with the gleeful specificity of men who had already decided what they would find.
The famous Blood of Hailes,
venerated for generations as a literal relic of Christ’s own blood, was
publicly exposed under Cromwell’s direction as a mixture of honey and saffron.
Images of the Virgin were hauled from their shrines at Ipswich, Walsingham, and
Caversham, carted to Smithfield, and burned. Even the crypt of Alfred the Great
was not spared the searching hands of Cromwell’s investigators.
Cromwell
was, by any reasonable definition of the term available in 1538, a man actively
engaged in stamping out what the official Church considered heretical practice
on a national scale. The accusation that would eventually kill him asked, in
effect: what if the hunter had been one of the very things he was hunting all
along?
The Heretic
The
specific heresy attributed to Cromwell concerned the doctrine of the Eucharist.
He was accused of Sacramentarianism—the
belief, considered dangerously radical by the religious conservatives still
powerful at Henry’s court, that the bread and wine of communion did not
literally transform into the body and blood of Christ, contrary to both the
established Catholic doctrine of transubstantiation and even the somewhat
softened Lutheran position of the Sacramental Union. Cromwell’s attainder
accused him of corruptly and damnably suppressing accusations against known
heretics, releasing accused men from custody through “crafty and subtle Means
and Inventions,” and circulating “false erroneous Books” that he persuaded
others to accept as “good, true, and best standing with the most Holy Word.”
His
chief rival, Stephen Gardiner,
Bishop of Winchester, had despised Cromwell for years over precisely this
tension—condemning him for introducing the English Bible into common
circulation and for his relentless campaign against the monasteries and their
shrines. Where Cromwell saw corrupted superstition ripe for reform, Gardiner
and the religious conservatives saw a man whose reformist sympathies had
curdled into outright doctrinal heresy. The accusation that finally destroyed
Cromwell was, in this sense, simply the conservative faction winning an
argument that had been simmering at court for the better part of a decade.
In January 1540, Cromwell had personally arranged Henry VIII’s marriage to Anne of Cleves—a German princess selected partly on the strength of a flattering Hans Holbein portrait and partly on Cromwell’s own exaggerated reports of her beauty. When Henry actually met his intended bride, he was reportedly appalled. The marriage proceeded regardless, lasted a humiliating six months, and ended in annulment—a personal and political catastrophe that historians widely agree did as much to seal Cromwell’s fate as any genuine theological concern. As one assessment puts it with admirable bluntness, Cromwell “may have been arrested for his promotion of religious reformation, but few could doubt that Henry was also punishing Cromwell for the humiliation of his latest marriage.”
Cromwell was executed on the same day as Walter Hungerford, Baron Hungerford of Heytesbury—a man whose own charges included consorting with sorcerers and witches, alongside accusations of treason and sodomy. Historian Retha Warnicke has argued that information gathered about Hungerford’s associations with magical practitioners may have directly influenced the decision to formally add heresy to Cromwell’s own bill of attainder, given the period’s persistent rhetorical linkage between sodomites, heretics, and those who consorted with sorcery. Cromwell’s case and Hungerford’s, in other words, may have contaminated one another in exactly the way accusations of magical and religious deviance so often did across this entire period—guilt by proximity, heresy by association, the same logic that would later fuel witch panics on both sides of the Atlantic.
Cromwell
was seized at a Council meeting at Westminster on June 10, 1540, with a
theatrical cruelty that his enemies seemed to relish. The Duke of Norfolk
personally snatched the St George’s collar—the insignia of the Order of the
Garter—directly from Cromwell’s shoulders, declaring, “A traitor must not wear
it.” Cromwell’s own former friend, Sir William Fitzwilliam, untied the
ceremonial garter from his leg. Cromwell, by his own account, responded with
genuine, furious disbelief: "This then is my reward for faithful
service!" He was taken by barge to the Tower of London before the bill of
attainder had even formally passed.
What
followed was not a trial in any meaningful sense. As the country’s most
renowned legal mind—a man who had personally engineered the legal architecture
of the English Reformation—Cromwell was simply too dangerous and too capable to
risk in open court. His enemies instead pushed a bill of attainder through
Parliament, a legislative mechanism that allowed Parliament to condemn a man to
death and seize his property without the inconvenience of evidence being
formally tested or cross-examined. Cromwell wrote increasingly desperate
letters to the king from his cell, the final one ending with a postscript that
needs no embellishment: “Most gracious prince, I cry for mercy, mercy, mercy.”
Henry did not answer.
On
July 28, 1540, Cromwell climbed the scaffold on Tower Hill. His final words
have been debated by historians for nearly five centuries. He opened plainly: “I
am come hither to die, and not to purge myself.” He then declared, “I die in
the Catholic faith, not doubting in any article of my faith, nor in any
sacrament of the church”—a statement that, on its surface, reads as a final
renunciation of the very Sacramentarian heresy that had helped condemn him.
His biographer, John Schofield,
among others, has argued for a different reading entirely: that Cromwell, a man
known for his command of language and his fondness for irony even under the
gravest pressure, was engaging in a final, carefully coded act of gallows
humor—deliberately using the word "Catholic" not to mean the Roman
Church his accusers wished to hear, but in its broader, more universal
theological sense, while privately maintaining the reformist convictions that
had defined his career. If Schofield is right, Cromwell’s scaffold speech was
less a confession than a final piece of subtle, deniable theater—a necessary
public disavowal delivered specifically to protect the family and property he
was leaving behind, while quietly preserving the truth of what he actually
believed.
The
execution itself was botched. The headsman, described in Edward Hall’s
contemporary chronicle as “a ragged and Boocherly miser, whiche very ungoodly
perfourmed the office,” required multiple strokes of the axe to complete the
task. Cromwell’s severed head was set on a spike on London Bridge, a fate he
had, in his years of power, arranged for a great many other men.
OCCULT READS PRESENTS: DAILY OCCULT REVIEW
Celtic
Elemental Tarot: 78-Card Deck and Book
By
Ayn Cates Sullivan, M.F.A., Ph.D. | Illustrated by Belle Crow duCray | Foreword
by Caitlín Matthews | Findhorn Press
This
reviewer has always had a soft spot for the cross-section between tarot
symbolism and Arthurian legend. With the Celtic Elemental Tarot, Ayn
Cates Sullivan—who has spent four decades in deep engagement with Arthurian and
Celtic mythology, trained with the Order of Bards, Ovates, and Druids, and
holds advanced degrees in spiritual psychology, creative writing, and
Anglo-Irish literature—delivers just that. The gorgeous, oversized set is
ambitious: Sullivan reorganizes the Major Arcana into four functional
groupings—Allies (cards 0–VI), Challenges (VI–X), Virtues
(XI–XIV), and Cosmic Forces (XV–XXI)—framing the entire sequence as a
Grail Quest rather than simply a parade of archetypal figures. The Minor Arcana
follows the four elements (Earth, Air, Water, Fire) with court cards populated
by characters from Arthurian and Celtic myth: Guinevere and Lancelot in Air,
Dindraine and Galahad in Water, Emer and Cuchulain in Earth, Blodeuwedd and
Lleu in Fire, while the Grail itself functions as the telos of the whole
journey, and Sullivan’s concept of “Grail questions”—the “quest-I-on,”
as she has it—runs throughout the accompanying guidebook as a sort of mystical
journey.
Belle Crow duCray’s illustrations are beautiful in their ever-so slight fusion of modern style with Medieval iconography. The Water suit is particularly striking, with each pip card rendered as a scene contained within an ornamental chalice, which, given that the deck is explicitly a Grail quest, feels tonally perfect; the Fire cards’ ceremonial shields and the Air suit’s knotwork and bird symbolism reward extended contemplation. All in all, the artwork makes this is a deck that continues revealing detail long after initial use.
Practically,
the cards are large and detailed; the thin card stock warrants gentle handling,
and the magnetic-clasp box, while handsome, stores the cards loosely beneath
the guidebook. For those drawn to the Grail stream of the Western esoteric
tradition, this is an essential acquisition. (For further recommendation on
Arthurian legend and its practical esoteric contemplation, be sure to check out
John Michael Greer’s latest release, Merlin's
Wheel: Self-initiation in the Druid Tradition.)
(Every day, Modern Occultist News will present "This Day in Occult History" and your "Daily Occult Review" and will dive into the birthdays, rituals, breakthroughs, and crucial moments that shaped today's many esoteric traditions. From the Hermetic revival to Witchcraft, from Crowley to cyberspace, we'll bring the best stories and latest trends to today's own modern occultists everywhere.)
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