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"Aleister Crowley: Forty Days on Esopus Island" / OCCULT READS PRESENTS: "The Blue Equinox"

ON THIS DAY IN OCCULT HISTORY


July 19

Aleister Crowley: Forty Days on Esopus Island


 
(Affiliate disclosure: Some links on this blog may earn us a small commission at no cost to you. Every bit helps keep the lantern lit.)

Picture a bald, sunburned Englishman paddling a canoe up the Hudson River with fifty gallons of bright red paint, a climbing rope, and not one scrap of food. Friends had staked him to the canoe, a tent, and enough cash for a modest camping trip. He spent the money on paint instead. When they asked, reasonably, what he intended to eat for the next month and a half, he told them the ravens would feed him. On July 19, 1918, Aleister Crowley beached that canoe on a narrow, uninhabited spit of granite in the middle of the Hudson called Esopus Island, and stayed there, by most accounts, for forty days and forty nights—a span he chose, without much subtlety, to echo Christ’s forty days in the wilderness.

The Prophet in America

By the summer of 1918, Crowley had been living hand to mouth in the United States for four years, having crossed the Atlantic in 1914 just as the First World War broke out. He’d spent much of that time writing pro-German propaganda for a New York paper called The Fatherland—work he later insisted was actually an elaborate act of sabotage from inside the German cause. By 1918 he was broke and between magical partners, having recently ended a series of sex-magic workings with his lover Roddie Minor known as the “Amalantrah Working” (the same operation that had produced Crowley’s now-notorious sketch of an entity called “Lam,” later published as the frontispiece to his commentary on Blavatsky’s The Voice of the Silence). With that chapter closed and no clear next step, Crowley judged himself in need, as he saw it, of a serious magical retirement. Esopus Island, roughly eighty-five miles north of Manhattan and reachable only by boat, offered exactly the kind of total isolation the Working required.

The retreat’s most devoted patron was William Seabrook, the journalist and occultist who would later introduce the word “zombie” to American popular culture after his travels in Haiti. Seabrook fronted Crowley the canoe, tent, and provisioning money, fully expecting it to go toward food. Crowley bought the paint and rope instead, and cited the Old Testament prophet Elijah, fed by ravens in the wilderness, as his precedent. In practice, the ravens turned out to be curious locals: families watching the strange, robed figure from the riverbank began rowing supplies out to him, and word spread quickly enough that fans, artists, and at least a few suppliers of less legal refreshment made the trip out as well. Crowley was never quite as alone on Esopus Island as the premise of the retreat suggested.

Crowley spent part of his forty days suspended from ropes against the island’s eastern granite cliffs, painting large red inscriptions drawn from the central declarations of Thelema, among them “Do What Thou Wilt” and “Every Man and Every Woman Is a Star,” where they would be visible to boat traffic on the river below. He spelled the island’s name “Oesopus” throughout his own writings on the retreat (likely for the numerological value of the extra vowel). The inscriptions endured on the rock for years before weather and ice eventually wore them away; the island itself, now part of Margaret Lewis Norrie State Park, still draws the occasional Thelema practitioner willing to paddle out and see the bare cliff face where they once stood.

Past Lives and a Translation of Lao Tzu

Crowley’s stated purpose for the retreat was less theatrical than the paint suggests: he intended, primarily, to work on a translation of the Tao Te Ching, the foundational text of Taoism, which he would eventually publish as The Tao Teh King. Working from Legge’s English rendering rather than the Chinese original, Crowley shaped Lao Tzu’s philosophy into something startlingly compatible with his own doctrine of Thelema, and the translation remains, whatever one makes of its liberties, one of the more genuinely thoughtful pieces of writing he produced in this period. Alongside the translation work, Crowley later claimed to have experienced vivid recollections of several past lives during his weeks of isolation and fasting; by his own account, he had previously been the legendary Taoist sage Ge Xuan, the Renaissance pope Alexander VI, the eighteenth-century adventurer and alchemist Alessandro Cagliostro, and the French occultist Éliphas Lévi. His Tao Teh King fared rather better with posterity than his past-life claims; decades later, the Chinese scholar Hellmut Wilhelm acknowledged the seriousness of Crowley’s engagement with Taoist thought, even while noting, accurately, that a man with no Chinese was always going to be interpreting Legge’s translation rather than Lao Tzu’s original.

Crowley emerged from Esopus Island in late August 1918 and, before the year was out, moved to Greenwich Village, where Leah Hirsig soon became his next Scarlet Woman. Much of the material and momentum from the retreat fed directly into the next major publication of his career: The Equinox, Volume III, Number I, published in 1919 and known ever since as The Blue Equinox, which consolidated the workings and doctrine of both the A∴A∴ and the O.T.O. under Crowley’s leadership.

But history is often stranger than fiction: the island sits within the town of Hyde Park, birthplace of Franklin Delano Roosevelt, who in the summer of 1918 was serving as Assistant Secretary of the Navy roughly a mile from where England’s legendary occultist was painting Thelemic slogans on the rocks and waiting for ravens. Nothing suggests the two men were ever aware of each other’s proximity, but the Hudson Valley has rarely hosted two more differently ambitious residents in the same season.

God, I love New York.

 

OCCULT READS PRESENTS: DAILY OCCULT REVIEW

Modern Occultist is proud to present today’s “Daily Occult Review” from our ongoing series—as part of the newly-launched Occult Reads... In honor of Crowley and the doctrine that came out of forty days in the Hudson...


The Blue Equinox

By Aleister Crowley | Red Wheel/Weiser

The book that gathered up the loose threads of the Esopus Island retreat and turned them into doctrine deserves the closing spot today. First published in Detroit in 1919 as The Equinox, Volume III, Number I, The Blue Equinox opens with Crowley’s “Hymn to Pan” before laying out, in unusually systematic form, the history, principles, and reading lists of both the O.T.O. and the A∴A∴ under his leadership—including The Law of Liberty and the full text of the Gnostic Mass. It is, in other words, Crowley at his most organized: a prophet who had just spent forty days alone with red paint and a translation of Lao Tzu, coming back to civilization and immediately setting about building institutions to carry the work forward. Our thanks to Red Wheel/Weiser for keeping this foundational text in print for the next generation of students working through the same questions Crowley brought back from that rock in the Hudson.



And be sure to check out Aeon Spirit's incredible new compendium of the best esoteric writing from the poet laureate of the Golden Dawn (edited and introduced by Modern Occultist's friend, John Michael Greer!): The Magical Writings of W.B. Yeats ... A major review and Yeats profile is featured in our upcoming Fall Equinox edition, the "Angels & Demons Issue," available September 21!



(Every day, Modern Occultist News will present "This Day in Occult History" and your "Daily Occult Review" and will dive into the birthdays, rituals, breakthroughs, and crucial moments that shaped today’s many esoteric traditions. From the Hermetic revival to Witchcraft, from Crowley to cyberspace, we’ll bring the best stories and latest trends to today’s own modern occultists everywhere.)

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