Skip to main content

"Egyptian “All Souls’ Day”" / OCCULT READS PRESENTS: "Circle of Isis: Ancient Egyptian Magic for Modern Witches"

ON THIS DAY IN OCCULT HISTORY


September 13

Egyptian “All Souls’ Day”

 

(Affiliate disclosure: Some links on this blog may earn us a small commission at no cost to you. Every bit helps keep the lantern lit.)

Across modern Pagan calendars, September 13th is frequently listed as an ancient Egyptian holiday called the Ceremony of Lighting the Fire, an “All Souls' Day” on which sacred flames were lit in temples across the Nile in honor of the dead and of Nephthys, described as protectress of the dead and Queen of the Underworld. It's a beautiful image, genuinely moving in its details, fire, mourning, a goddess watching over the departed. It's also, as far as any documented ancient Egyptian source can confirm, a holiday that doesn't actually seem to exist, at least not in the form or on the date it's usually presented.

What does exist, once you go looking for the real Egyptian material behind the claim, turns out to be richer and considerably better documented than the invented version…

 

Tracing the “September 13 Ceremony of Lighting the Fire” claim backward leads, again and again, to the same place: modern Pagan calendar compilations, Patricia Telesco's popular 1998 reference 365 Goddess, various Wiccan community calendars, and similar aggregator sites that have copied the entry from one another for decades. None of them cite an ancient Egyptian primary source, a dated papyrus, a temple inscription, or a peer-reviewed Egyptological reference for this specific festival, on this specific date. That absence matters. Genuine ancient Egyptian religious festivals are, as a rule, extremely well documented, tracked against the Egyptian civil calendar with its twelve thirty-day months and five extra epagomenal days, not a fixed date on the Julian or Gregorian calendar the way this entry implies. A festival this specific, with no ancient source behind it, bears all the hallmarks of a claim invented or badly garbled sometime in the twentieth century and then copied forward, calendar to calendar, without anyone checking the original.

However, Egypt genuinely did hold festivals involving fire, light, and the dead, and Nephthys genuinely was a goddess deeply associated with mourning and protection. The specific claim simply compresses several real, separate traditions into a single invented date and misassigns Nephthys a title that was never actually hers.

Start with the correction that matters most: Nephthys was never Egypt's “Queen of the Underworld.” That role, to the extent ancient Egyptian religion assigned it at all, belonged to Osiris himself, ruler of the Duat and judge of the dead. Nephthys's own name means “Mistress of the House,” and her real, richly documented role was as one of the “Two Kites,” paired eternally with her sister Isis as the twin mourner-goddesses who found, wept over, and helped restore the murdered Osiris. On a more practical, ritual level, Nephthys served as protector of Hapi, one of the Four Sons of Horus, whose canopic jar guarded the lungs of the mummified dead, a real, specific funerary duty attested across centuries of Egyptian burial practice.

Nephthys did have a genuine, dated birthday in the Egyptian religious calendar, and it connects directly to the same epagomenal days this magazine has covered before in relation to her sister. The Egyptian civil calendar's five extra days, appended to keep pace with the solar year, were traditionally understood as the birthdays of five major deities in sequence: Osiris, Horus the Elder, Set, Isis, and finally Nephthys on the fifth and final epagomenal day. That's a real, calendrically anchored honor, just one that lands relative to the Egyptian civil year rather than a fixed September date, and one shared with, rather than separate from, her sister's own birthday the day before.

The genuine ancient ritual most likely echoed, however distantly, in the modern “ceremony” claim is the Festival Songs of Isis and Nephthys, a real liturgical text surviving on a papyrus now held in the British Museum, dated to roughly the Twenty-Sixth Dynasty or later. The text instructs that it be sung by two virgin priestesses standing in for the two goddesses themselves, performed annually as part of a five-day festival honoring Osiris's death and resurrection. The surviving verses are genuinely powerful, direct laments calling the slain god back to life, invoking exactly the themes of grief, protection, and restoration that the vague modern “ceremony” gestures toward without ever citing. This is the real Nephthys ritual tradition: textually documented, performed by named ritual participants, tied to Osiris's own mythic cycle rather than a generic “All Souls” observance.

The fire and light imagery in the modern claim likely traces, however loosely, to a genuinely documented Egyptian tradition as well. The Greek historian Herodotus, writing in the fifth century BCE, described an actual annual Festival of Lights held at Sais, the city sacred to the goddess Neith, during which oil lamps were lit and left burning through the entire night, not just in the temple but across ordinary Egyptian households throughout the country. Later Egyptian tradition folded similar lamp-lighting practices into festivals honoring Isis specifically, a genuine ritual of illumination this magazine has already traced in an earlier post on the Roman-era Lychnapsia, itself rooted in this same Egyptian light tradition, if calendared for a different date and deity than what's popularly attached to Nephthys today.

None of this scrutiny should read as dismissal of the impulse behind the modern observance. Lighting a candle for the dead, invoking a goddess associated with mourning and protection, honoring an ancient culture's relationship with grief, these are sincere and worthwhile acts of devotion regardless of whether a specific invented date has real Egyptological backing. What the record actually supports is arguably richer than the compressed version in circulation: a documented liturgical text where two goddesses sing a dead god back to life, a real dated birthday shared between two divine sisters, and a genuine ancient tradition of household and temple lamps burning through the night in a completely different city, for a completely different goddess. The real Nephthys deserves that fuller, more accurate story, mourner and protector in her own documented right, rather than a borrowed title and an undated ceremony.


Modern Occultist is proud to present today's “Daily Occult Review” from our ongoing series—as part of the newly-launched Occult Reads... Today, in honor of the real mourning goddesses at the heart of this story, we're recommending a modern practitioner's guide to their shared tradition.

Circle of Isis: Ancient Egyptian Magic for Modern Witches

By Ellen Cannon Reed | Red Wheel/Weiser

Originally published as Invocation of the Gods before its expanded Weiser edition, Ellen Cannon Reed's Circle of Isis builds a genuinely practical modern devotional system around the Egyptian pantheon, Isis and Nephthys included, grounded in real study of the mythology rather than borrowed, uncited festival dates. Reed draws direct, explicit connections between documented ancient sources and usable modern ritual structure, giving contemporary practitioners a way to actually work with figures like Nephthys without relying on secondhand internet calendar entries to do it.

The book's real strength is its honesty about where scholarship ends and modern reconstruction begins, treating the gap between documented ancient practice and living contemporary devotion as something to name openly rather than paper over, exactly the distinction today's post has tried to draw out in detail.This is a devotional and ritual guide rather than an academic Egyptological text, and readers wanting the deeper primary-source material, including the Festival Songs of Isis and Nephthys itself, should pair it with a dedicated scholarly translation. But for readers of this magazine wanting to build real, honest modern practice around Nephthys and her sister, Reed's guide offers a considerably more solid foundation than an invented September ceremony ever could.




(Every day, Modern Occultist News will present "This Day in Occult History" and your "Daily Occult Review" and will dive into the birthdays, rituals, breakthroughs, and crucial moments that shaped today’s many esoteric traditions. From the Hermetic revival to Witchcraft, from Crowley to cyberspace, we’ll bring the best stories and latest trends to today’s own modern occultists everywhere.)

Modern Occultist

Home

About

The Magazine

Subscribe

Contact

 

2026. Modern Occultist Media LLC. All Rights Reserved.

Popular posts from this blog

"Eight Teenagers Are Building a Country — And They've Made Me Their Merlin"

ON THIS DAY IN OCCULT HISTORY March 6 Eight Teenagers Are Building a Country — And They've Made Me Their Merlin In a chaotic political landscape, eight teenagers are doing the impossible: taking the reins on their own future and forming their own country ... and Modern Occultist is here to help.  By C.M. Kushins, Publisher — Modern Occultist Digital Magazine (Affiliate disclosure: Some links on this blog may earn us a small commission at no cost to you. Every bit helps keep the lantern lit.) I have a confession to make. When we were first asked if Modern Occultist might consider becoming a spiritual sponsor for a micronation — a self-declared teenage-run country called Gapla , situated on 54 acres of forested, unclaimed land between Serbia and Croatia — my first instinct was to smile and feel a tad jealous that I hadn’t thought of that at seventeen-years-old. But my assumption that Gapla was a school project, perhaps, or game between friends was quickly proven wro...

"Happy Birthday, Lon Milo DuQuette: The Mark Twain of the Occult" / OCCULT READS PRESENTS: "My Life with the Spirits" & "An Accidental Christ"

ON THIS DAY IN OCCULT HISTORY July 11 Happy Birthday, Lon Milo DuQuette:  The Mark Twain of the Occult (Affiliate disclosure: Some links on this blog may earn us a small commission at no cost to you. Every bit helps keep the lantern lit.) The Coconut Grove at the Ambassador Hotel, circa 1970…. A young acid-cowboy duo called Charley D. and Milo has been booked, against their better judgment, to back Sammy Davis Jr. for one night, in front of a room that includes John Wayne, Nancy Sinatra, Zsa Zsa Gabor, and a stoned young George Carlin who wanders up afterward to tell them they were “groovy.” Everything is going fine until Sammy starts introducing the next number—“Spinning Wheel”—a song the two guitarists have never learned. Lon Milo DuQuette and his partner quietly slip their guitars off, creep offstage, and leave Sammy Davis Jr. alone with only the drummer to get him through it. They never worked with the William Morris Agency again. Neither, as it turned out, did the agen...

"Robert Anton Wilson Day" / OCCULT READS PRESENTS: "Quantum Psychology: How Brain Software Programs You and Your World"

ON THIS DAY IN OCCULT HISTORY July 23 Happy Robert Anton Wilson Day!   (Affiliate disclosure: Some links on this blog may earn us a small commission at no cost to you. Every bit helps keep the lantern lit.) An Insider's Guide to Robert Anton Wilson • Eric Wagner • New Falcon Publications • Revised Edition, 2020 • ISBN: 1-56184-165-X Every Day is a GOOD Day: Robert Shea on Illuminatus!, Writing, and Anarchism • Edited by Tom Jackson • Hilaritas Press • 2025 • ISBN: 978-1952746437   On July 23, 1973, a former Playboy editor turned novelist sat in California running himself through a battery of yogic breathing exercises and ceremonial magic techniques he'd adapted from Aleister Crowley, trying to see what would happen if he took his own skepticism and set it down for a while. Somewhere in the archive of human letters there is a category of writer who cannot be summarized. You can describe their books, chart their influences, document their controversies, quote the...